October 20th, 2008
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Vulture’s Peak
I have started to stop looking for the Kumbaya moment. Let me explain a bit.
I still can’t exactly figure how I got signed up for this adventure. But, from the instant I agreed to go, I began expecting some sort of transformational experience, a Kumbaya moment. It sort of emerged from an empty spot that has something to do with being an empty nester with a new girlfriend and the inflection point of a lifetime.
If you’re old enough, you’ll remember the spark in Davy Jones’ eyes (from the Monkees) as he sang “I Wanna Be Free” (like the bluebird flying by me) while walking in the sand. I don’t know where I found it but it has been growing… the idea that there will be a moment on this trip that should have a mystical Van Morrison soundtrack.
I keep expecting to be awestruck. Instead, I am getting shoved way out of my comfort zone and experiencing a range of things I wouldn’t have exactly volunteered for. There is no magical enlightenment moment for me so far. It’s much more like a thorough beating…more like the Bridge Over the River Kwai than the Philadelphia Folk Festival.
The scene at Vulture’s Peak (VP) is another frame from a Fellini flick. When we park the car, the beggars descend like vultures. We get beyond them to find the same souvenir booths that are at every one of these places. Beads, statues, pictures but no Tee Shirts. (I harbor a secret desire to find a Buddha Tour jacket with the names of all the stops on the back.)
This is when I find out that we’re going to the top of a mountain on a ski lift. I’m in the line before I have a chance to remember my twin phobias…claustro and acro. And, to get to the rickety chair lift, you have to squeeze through a very complicated set of mechanical devices and bars designed by an Australian penitentiary architect in the late 1800s. Then you get flung into the air on a seat on a rope designed for people half my size.
The safety signs say stuff like “If Intoxication is present, enjoyment of the chairlift will be restricted”. It should read “You’ll know we don’t like you if we let you go on this thing”. But the real choice is go up with the group (and the armed guard we’ve hired) or stay down with the throng.
I do the noble thing and go up.
When you get to the top of the mountain, there is this huge pure white dome, a stupa, with a golden Buddha at each 90 degree point. You hear the wind rustle, a sound like a jazzy snare drum (tchtatchta tchtatchta) and a very low rumbling bass drum beat. It’s the heavenly Buddhist Jazz band waiting for the flute and piano to come in, I think.
The snare drum is teams of workers who are hanging from rope scaffolds and sanding the rainspots off the marble dome. The bass drum is being beat to keep time in meditation at yet another Japanese temple.
There is no melodic instrument but there are temple monkeys. The cute little things snarl at you and steal food from infants. Weird.
The real adventure begins here. Vulture Peak is the next hilltop over. Rather than going back down the chair lift, we hike into the jungle. This is where the armed guard comes in handy. The bandits (remember, this is still Bihar) love to pick off small groups of pilgrims for sport. So we edge our way up the path.
We take turns sitting in caves that were the homes of big name Buddhists in Buddha’s set. It’s a good way to catch a break from the mid day sun. We wind our way up to the little platform (it might seat 100).
You can feel the dreams, hopes prayers and energy that have accumulated in the spot. It’s the pinacle of an idea and the essence of a spiritual education movement. It was here that Buddha unveiled his doctrine of the selflessness of persons; the idea that the illusion of self causes most suffering.
It’s all downhill from here. We hop into the cars and drive to Nalanda, a great spiritual University around 750 BC’ Famous for its debate style and rigorous discipline, it was home to many scholars including Buddha. I sleep under a tree, much as I did when I went to college in the States.
We return to Bodhgaya for the next stage.
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